A Festival And A Party

ebookfestIt’s coming up to the end of the first week of the second online ebook festival. I’ve been marginally involved in it by offering what are called ‘workshops’ in comedy. In fact, we haven’t yet achieved the level of interactivity that constitutes what I’d describe as a workshop. Nonetheless, I’ve had suggestions from visitors about the sort of scenarios which are ripe with comic potential and, next Monday (19th August) I’ll be writing a summary of what we’ve done as well as quoting examples of sketches sent in by visitors. At the moment, I’ve only received one such sketch (thanks Angus) so I may have to supplement my examples with recordings of sketches and songs which I wrote and performed with my wife at the Edinburgh Festival Fringe many years ago.

But my bit is just a minor part of what’s been happening this week and if you haven’t yet visited, please do yourself a favour and dip into the programmes and events. I’d be very surprised if you didn’t find something there that really captured your imagination or stimulated your curiosity. Kathleen Jones has been hosting a real workshop on Life Writing, with volunteers sending in exercises for her comments and the comments, together with Kathleen’s own observations, add up to some great advice for would-be writers of memoirs or autobiographies. Two other hosts have been offering variety every day: Brendan Gisby, who’s in charge of the regular short story slot, which has featured contributions from authors on the theme ‘Being Scots’; and Roz Morris links to some very varied music tracks through her special angle on the ‘Undercover Soundtracks’ of different authors.

Catherine Czerkawska’s been writing about the mid-list and the changes in publishing over the past few years, Chris Longmuir’s in the middle of a comprehensive look at the whole crime genre and Dennis Hamley has been contributing a stunning series on ghost stories and the supernatural in writing. There’s also drama from the festival director, Cally Philips. (How she finds time to write it, plus a series on blogging, plus all the PR work, plus introductions to all the events, plus God knows how many other things, I’ll never know.) Today sees the last of Ingrid Ricks’ Advocacy residency, next week David Wailing will be the Sci-Fi writer in residence and there are two other residencies this weekend: Horror by Mari Biella and Travel Writing by Jo Carroll.

There’s also a very different late-night thread from Jian Qiu Huang in Australia called Conversations with the Universe. They’re thought-provoking and entertaining on the computer but if you’ve got an iPad, have a look at them on that.

awesome indies badge for website And while I’m encouraging you to visit other places, here’s advance warning of an online party. It’s starting at 1am on August 21st and going on until 12pm on the 25th  (Pacific Daylight Time, whatever that is), and it’s being organised by Awesome Indies. That’s a website  which chooses and lists independently published books which reviewers have recognised as being of high quality. Of course, I would say that wouldn’t I because two of my books feature there? But their selection procedures are very rigorous and the aim is to help readers distinguish between books that are frankly substandard and those which are professionally produced and definitely worth reading. There’ll be quizzes, freebies, special offers and prizes as well as information about various aspects of indie publishing. The fact that it coincides with the final days of the Ebook Festival suggests it’ll be a busy time but it only takes a click to get there.

Happy clicking!

A Chance Occurrence of Events Remarkable either for Being Simultaneous or for Apparently Being Connected

!The FigureheadForgive the title but I’m currently writing a sequel to The Figurehead  and I find myself doing quite a lot of Victorian-speak. It is, however, that activity that’s produced this blog. So let’s start with a question: what connects the first ship to have a clipper bow, Monsieur and Madame LaFarge,  19th century melodramas and me? The question is rhetorical, of course, although if any of you do have the right answer, that merely adds to the frisson I get from it.

I’ve mentioned the ship with the clipper bow before. She features briefly in The Figurehead and was designed, built and launched in Aberdeen. Her name was Scottish Maid. In those days, ships were taxed according to the depth of their hull and boat builder Alexander Hall reduced this depth by extending the bow above the water line. The result was not only lower taxes but also a sleeker, faster, more efficient bow.

The LaFarges were around at the same time as the Scottish Maid – Marie for rather longer than her husband because she was tried for his murder in 1840. And that was also the period at which melodrama was thriving in France, the UK and elsewhere.

So those are the ingredients and when you put them, The Figurehead, its sequel and me together, you get the subject of this blog, of which the title is a dictionary definition. In a word, coincidence, which is rife in melodramas, most of them relying on unexpected family relationships, birthmarks, people turning up at exactly the right time and so on. For me, an unrepentant cynic, atheist and believer in common sense, most events that seem to reveal some hidden plan or underlying structure are coincidences. But I do prefer the happy ones.

So what?

Well, this morning, I was just finishing chapter six of the sequel when I decided to change the way the victim had been killed. I’ve been struggling a little with it because the crime part of it all is less interesting than the other themes – Helen’s first steps in her father’s business, a new, unusual figurehead commission for John, and the visit of a theatre troupe to Aberdeen to perform nautical melodramas. I was trying to achieve too many things through the way the victim died so it was muddled and the clues and red herrings weren’t easy to find. So I decided to poison her instead. Arsenic was a favourite poison for the Victorians. They could buy it at the apothecary’s and no records were kept of purchases or sales. It was also an ingredient in various medications, including a cream used by actresses (and ladies in society) to lighten their complexions and, fortuitously, my victim is an actress.

Back, for the moment, to The Figurehead. When I was writing it, two striking coincidences occurred, one of which was to discover that I shared a birthday with Scottish Maid. She was launched on August 10th 1839, exactly one hundred years before I arrived. Pure coincidence, but it gave me a childish pleasure.

And the pleasure was repeated today. You see, I needed to find out how they performed autopsies in 1842 and how they discovered that the death might be due to arsenic poisoning. My luck was in. A Scottish chemist, James Marsh, had devised a test for it in 1836 and ‘The Marsh Test’ was used in court cases thereafter as an almost infallible technique. Its most famous case was that of Marie LaFarge . In 1840, two years before the year in which I’ve set my novel, she was accused of murdering her husband, Charles. I read all about it on several sites and it gave me all the information I needed to check the authenticity of the case I was building.

And on what date did Charles and Marie marry? Yes, of course. The same day that saw the launch of the Scottish Maid, August 10th 1839, exactly one hundred years before a screaming, wrinkled me emerged in a Plymouth Nursing Home. And that was seventy-four years ago today.

Coincidence or all part of God’s plan? You decide.

***

P.S. The plot thickens. I wrote and posted the above yesterday. I’d just read about the LaFarges’ marriage date and mentioned the coincidences in an email to a friend, Anneke. That made me decide to blog about them.  The email was to thank her for a book she’d sent me – Train Dreams by Denis Johnson – a unique, magnificent novella which I read at a sitting today, Sunday August 11. It really is beautiful and written in a prose I wish I was capable of imitating. In just 116 pages, it covers the life of a labourer in the American West from 1917 to the 60s and moves between homespun anecdotes, the paranormal, mystical and actual experiences and vast social changes. The reason I mention it in this postscript, however, is that its only mention of a specific date comes 7 pages from the end:

‘Beside the communicating doors of the passenger car he rode out of town, there hung a calendar that told him today was Sunday August 11‘.

Somebody’s trying to tell me something.

The Edinburgh Ebook Festival

ebookfestThis may look like a cop-out blog but, in fact, it’s an attempt to point you towards a rich and potentially very rewarding series of events which will make up this year’s Edinburgh Ebook Festival. It’s the official press release and it gives you plenty of time to look at what’s on and plan your visits accordingly. And, if you like what you see, please send the relevant links to friends. Last year it was a great success, this year it’s even bigger and more ambitious.

EDINBURGH EBOOK FESTIVAL 2013.

Now in its second year, the Edinburgh eBook festival is back from the Glorious 12th of August right through to Sunday night August 25th. This is a unique type of festival. Billed as ‘the festival that comes to you’  it’s available online any time of the day and night, with limitless audience capacity and everyone gets the best seat in the house. Dress code optional.  And it’s FREE for all.

During the day a regular set of ‘events’ are posted up on the festival site. You access it via your ereader, smartphone, tablet, ipad or computer so that you can literally be in two places at one time. Wherever you are, as long as you have internet or wifi access, you can take part.

Our programme  features individual slots at  roughly hourly intervals throughout the day from the Short Story slot at 11am, right through to the ‘Conversations’ slot at 11pm. In between we will feature residencies, workshops, ebook launches, and sundry other ‘events.’  We even have the world’s first weathersheep ‘Derek’ who will be providing a ‘sheeping forecast’ each day at noon.  Derek is this year’s internet phenomemon and his ‘Fifteen Grades of Hay’ trilogy is the talk of the cyber valleys.

Residencies include Catherine Czerkawska’s Mid-list, Cally Phillips’ Drama Retrospective and Chris Longmuir’s mammoth exploration of the Crime genre. For Sci-Fi buffs there’s David Wailing, as well as Travel with Jo Carroll, Horror with Mari Biella and Ghosts stories dissected with Dennis Hamley.  Sue Price will inspire you regarding Functional Literacy and Ingrid Ricks will do similarly about advocacy. There’s a chance for you to participate too. Kathleen Jones will be running a Life Writing workshop and Bill Kirton a Comedy workshop.

There’s plenty more. Mr McStoryteller Brendan Gisby will host the Short Story slot and Roz Morris offers a new spin on Desert Island Discs with her ‘Undercover Soundtrack’ event while Jian Qiu Huang confirms the internationality of the festival with his ‘Conversations with the Universe.’

There are slots on ‘Market Choices’ where writers and publishers reveal ways they have approached publicity and sales and there’s launches of ebooks as well as talk about the relationship between narrator, author and reader.  Our festival theme is Beyond the Margins and we hope to explore this concept in a way which will be thought provoking ,fun and open doors and minds as to the possibilities of digital publishing.

The festival opens with a look at Stuart Ayris’ unique, inspired and inspiring ‘Frugality’ Trilogy and closes with Peter Tarnofsky’s latest short story collection ‘Everything Turns Out Just Fine.’

And if that’s not enough, there will also be a FREE Goody Bag available throughout the festival.

Last year we welcomed over 9,000 visitors through our virtual doors.  With over 150 separate ‘events’ and featuring oodles of writers – some you know and some you’ll want to get to know – we hope that there will be something for just about everyone. We hope to show you that the digital revolution is alive and well and that Beyond the Margins there’s a whole new world just waiting for you to read and read about.

Daily previews begin on 1st August with some background information about the main participants and events, giving you the chance to ease your way into the technology. But really, if you already know how to use an ereader, tablet, smartphone or pc it’s simple.  Just go to www.edebookfest.co.uk and the events will come to you. You can catch up on events you’ve missed with a click or two to the appropriate category.   Remember, it’s all free and everyone is welcome.

The festival has a facebook page where you can post your comments and you can follow on Twitter @edebookfest or have your say at #edebookfest.

There’s really no excuse not to visit this exciting new festival now, is there?